And lastly, we've picked out the best video DSLRs for experts and professionals. Next, we recommend the higher-grade (but still affordable) DSLRs that are best for enthusiasts. In the first part, we deal with the best DSLRs for beginner videographers, and if you're on a budget, these are also the cheapest. To make this guide easy to navigate, we've split it into sections. Once you go above 120p you're into slow-motion territory, which can also be hugely useful. This isn't necessarily always the goal – filmmakers, for instance, prefer 24p as it apes the classic frame rate of motion picture film. The more frames, the smoother the footage. how many frames per second a camera is shooting at. As a video shooter, you'll be using Live View a lot, so it's worth checking out the Live View autofocus a DSLR offers.įrame rates In video, you may see a lot of numbers bandied around like 24p, 30p, 60p, and 120p. It gives you a huge deal of flexibility when shooting – though one thing to be aware of is that a DSLR's Live View autofocus (ability to focus when using the LCD) is often different from its regular autofocus. It lets you compose shots from different angles and heights, and also makes it easy to flip the screen around to film yourself, which is vital for solo vloggers.Īutofocus One of the strengths of DSLRs for videographers is their strong video autofocus. LCD screen A fully articulated LCD screen is something that many photographers aren't too bothered about – for video users, however, it's a hugely useful feature.
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